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Database Author Size Date Download
Motion Picture Film Stock Vincent Tay 1.41 Mb 06/17/2004
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Complete Motion Picture Film Stock Database compiled on 12 June 2004, with hyperlinks to the respective manufacturer's Technical Data Sheets
--
17 june 2004, Vincent Tay

Appearance
Motion Picture Film Stock
Database content (in some cases, compressed to get a general view)

 Motion Picture Film Stock
      AGFA as at 12/6/04
      ILLFORD as at 12/6/04
      FUJI as at 12/6/04
  Fuji Film Technology
  Print Film
  Color Reversal
      Fujifilm Positive Film 3513DI
      Fujifilm Positive Film 3510
  Camera Film
  Fuji Negative (Color)
      Tungsten
  F-250T Color Negative Film
  F-500 Color Negative Film
  F-125 T Color Negative Film
  F-400 Color Negative Film
      Daylight
  F-64D Color Negative Film
  F-250D Color Negative Film
  Reala 500D Color Negative Film
      KODAK as at 12/6/04
  Kodak Chronology of MP Films
  Camera Film
  Kodak Negative (Color)
      Tungsten
  VISION2 100T 5212 / 7212
  VISION2 200T 5217 / 7217
  VISION 200T - 5274 / 7274
  VISION 320T - 5277 / 7277
  VISION 500T - 5279 / 7279
  VISION2 Expression 500T 5229/7229
  VISION2 500T 5218 / 7218
  VISION Expression 500T - 5284 / 7284
  EASTMAN EXR 100T - 5248 / 7248
      Daylight
   VISION 250D - 5246 / 7246
  EASTMAN EXR 50D - 5245 / 7245
  Kodak Reversal (Color)
      Daylight
  KODAK EKTACHROME 100D - 5285
  EASTMAN EKTACHROME (Daylight) - 7239
  EASTMAN EKTACHROME High Speed Daylight Film - 7251
      Tungsten
  KODACHROME 40 Movie Film (Type A) - 7268 / 7270
  EASTMAN EKTACHROME (Tungsten) - 7240
  Kodak Black & White
      Negative
  EASTMAN DOUBLE-X - 5222 / 7222
  EASTMAN PLUS-X Negative Film 5231/7231
      Reversal
  KODAK TRI-X Reversal Film 7266
  KODAK PLUS-X Reversal Film 7265
  EASTMAN PLUS-X Reversal Film 7276
  EASTMAN TRI-X 7278
  Kodak Discontinued
      Kodak Reversal (Color)
  Tungsten
  EASTMAN EKTACHROME High-Speed Film 7250 (Tungsten)
  Daylight
  KODACHROME 25 Movie Film (Daylight) / 7267
      Kodak Negative (Color)
  Tungsten
  KODAK VISION 800T Color Negative Film - 5289 / 7289
  EASTMAN EXR 200T - 5287 / 7287
  KODAK SFX 200T Color Negative Film
  KODAK PRIMETIME 640T 5620/7620
  EASTMAN EXR 500T - 5298
  EASTMAN EXR 500T - 5296 / 7296
  EASTMAN EXR 200T 5293 / 7293
  EASTMAN 5247
  Daylight
  EASTMAN Color High Speed Daylight Negative Film - 5297 / 7297
  Intermediate Film
  Color
      VISION Color Intermediate Film 5242 / 7242 / 2242 / 3342 Estar Base
      EASTMAN Color Internegative II Film 5272 / 7272
  Black & White
      EASTMAN Fine Grain Duplicating Positive Film 5366/7366
      EASTMAN Fine Grain Duplicating Panchromatic Negative Film 5234 / 7234
      EASTMAN High Contrast Panchromatic Film 5369
      KODAK Panchromatic Separation Film 2238
      EASTMAN High Contrast Positive Film 5363/7363
  Print Films
  Color
      KODAK VISION Color Teleprint Film
      KODAK VISION Premier Color Print Film 2393
      KODAK VISION Color Print Film / 2383/3383
  Color Reversal
      EASTMAN EKTACHROME Print Film 5399 / 7399
  Black & White
      EASTMAN Fine Grain Release Positive Film 5302/7302
      Kodak Black-and-White Print Film 2302
  Black & White Reversal
      EASTMAN Reversal BW Print Film 7361


VISION2 500T 5218 / 7218
Updated 12/6/04
 
TUNGSTEN
 
KODAK VISION2 500T 5218 / 7218
 
 
 
 
Lens: 32 mm ZEISS Ultra Prime Lens
Filter: None
Aperture: T 2.8
Incident Light Levels
(Tungsten 2950K):
   Key = T 2.8 (20 fc)
   Fill = T 1.3 (4 fc)
   Backlight = T 5.0 (64 fc)
 
Stop notations listed on the photo are reflected-light readings.
 
Note: There is a small amount of atmospheric smoke in the scene.
 
 
 
The next generation of film is here.
 
After a century of R&D, we're still innovating. KODAK VISION2 500T Color Negative Film 5218 / 7218 is the start of a new family of films for a new era of filmmaking. An era that demands perfection, but with more efficiency from capture to post. With proprietary new technology for superior image structure; more highlight and shadow detail; improved color and skintone reproduction; clean telecine transfers; and seamless special effects. KODAK VISION2 Film products offer the lowest grain available for clean, crisp images; improved neutral tone scale; and more flexibility in both film and digital postproduction. Yes, it takes film to a whole new level. And after all these years, this is just the beginning.
 
 
TECHNICAL DATA SHEET
 
 
 
NOTE
 

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